Although we’ve a few niggles with the Nikon D750 in comparison to newer DSLR and mirrorless rivals, it really is a fantastic camera. It includes a professional-level AF system, and is with the capacity of generating excellent images even in tricky conditions. Even in the context of the newly announced D780 remains an able – and cheaper – full-frame DSLR for enthusiasts. Its cheap is more reflective of its age than its abilities, and means it really is curiously more desirable today than it had been maybe a year or two ago.
Video-friendly features like zebras
Pro-level AF system
Twin card slots
Recording is bound to 1080p
Wi-Fi is for remote shooting only
Slow live view AF
Tilting not vari-angle screen
The four-year-old Nikon D750 has just been upgraded in the condition of the Nikon D780. However, although it may now be relatively prehistoric in camera terms, the D750 remains an extremely capable at all times DSLR option – particularly for just about any picture enthusiast seeking to make that jump from APS-C sensor DSLRs to full-frame photography for an acceptable spend.
Actually, the Nikon D750 is near to the top of our set of the least expensive full frame cameras you can purchase. We’re seeing this a whole lot nowadays: older cameras staying on sale at vastly reduced prices, to create the best camera deals around.
Just how does this camera fare in 2020? Could it be still one of the better Nikon cameras in its category, but how does it compare to the very best full-frame DSLRs today?
If you are still considering your alternatives, we recommend looking into our head-to-head comparisons pitting the Nikon D780 vs Nikon D750 and also the Nikon D750 vs Nikon D850 and Nikon D750 vs D7500
Understand that a high-end camera that is clearly a couple of years old may still easily outgun a much newer low-end camera. It isn’t always about purchasing the latest kit, but purchasing the best kit your money can buy – and the D750 certainly gives on that.
The D750 shoots 1080p video instead of 4K, nonetheless it has both a mic socket and a headphone socket, and it’s really a fairly capable video camera subsequently. (Image credit: Nikon)
Sensor: 24.3MP full-frame CMOS
Viewfinder: Optical pentaprism (approx 100% cover)
ISO range: 100-12,800 (exp. to ISO 50-51,200 equivalent)
Autofocus: 51 phase-detection points (15 cross-type); contrast detection in Live View and video modes
Max burst rate: 6.5fps at full resolution
Video: 1080p at 60fps, 50fps, 30fps, 25fps and 24fps
Screen: 3.2-inch, 1,229k-dot tilting TFT
Shutter speeds: 1/4,000 sec-30 sec plus Bulb and Time
Weight: 750g (body only)
Dimensions: 140 x 113 x 78mm
Memory: 2 x SD / SDHC / SDXC
Targeted at enthusiasts, at its heart the Nikon D750 includes a 24.3-megapixel full-frame CMOS sensor and an Expeed 4 processing engine. Unlike many later Nikon models, though, there’s an anti-aliasing filter over the sensor.
This sensor and processor combo permits a native sensitivity selection of ISO 100-12,800, with extension settings taking this to ISO 50-51,200. It’s also possible to shoot at up to 6.5 fps, while some sports photographers might want something somewhat faster.
Better news to use it fans is that the D750 has Nikon’s trustworthy and powerful Multi-Cam 3500 II autofocus module. It has 51 points, 15 which will be the more sensitive cross-type and 11 that operate right down to f/8, which is particularly useful for photographers who wish to use an extender with their telephoto lenses. You will find a Group Area AF mode to greatly help when shooting subjects that are comparatively small and against a high-contrast or distracting background.
Exposure metering is handled by a 91,000-pixel RGB sensor. There’s also a good highlight metering option, calibrated to take greater note of the brightest the main scene to avoid it from being burned out.
While video is bound to 1080p, the D750 can record up to 60 fps. And videographers will appreciate the microphone port, headphone port, music level fine-tuning, Spot White Balance mode, Flat Picture Control mode, and Zebra patterns to point which areas are at risk of burning out. There are a good amount of video-orientated cameras around today that don’t possess a headphone port, although Nikon D750 arrived a long time before anyone had considered log modes. The camera may also output uncompressed footage via an HDMI link with facilitate high-quality recording to an external device.
(Image credit: Nikon)
Build and handling
Nikon has used a monocoque construction for the D750. A blend of magnesium alloy and carbon fibre ensures that it includes a good solid feel without excessive weight, and it’s reassuring to learn that the camera gets the same amount of weatherproofing as the high-end Nikon D810 from the same era. Inside there’s a Kevlar/carbon fiber composite shutter, which includes been tested to 150,000 cycles.
The D750 looks like the Nikon D610, now discontinued. However, the mode dial on the top-plate gets the addition of Effects for accessing the Special Effects modes. A few controls on the D610 are also in a different position on the D750 and there’s an ‘i’ button. When that is pressed, a list (as opposed to the usual grid) of features appears. There are always a handful of customisation options (for instance Assign Fn button) in this list, and we don’t realize why these are in an instant access menu rather than being restricted to the key menu. And surely the ‘i’ and Info buttons’ functions may be combined right into a single control?
The D750 interface has changed just a little in comparison to the D610’s. When the White Balance button is pressed, for instance, the screen shows more evidently which control is employed to change between preset values, and which adjusts the selected value to create images warmer or cooler.
Although the key menu talks about first glance just like a close match for all those on other Nikon DSLRs, another look reveals that the video options will have their own tab in the menu structure. That is a good move that will help find your options you want quicker.
As the D750 can be an SLR, there’s also an optical viewfinder for composing. This isn’t the brightest available, but it’s still very good and it covers 100% of the field of view, so there shouldn’t be any surprises around the frame edges. If time and subject permits, however, we recommend using Live View when focusing manually.
As the D750 includes a 24MP sensor with an anti-aliasing filter, it isn’t have the ability to match higher resolution cameras for detail, nonetheless it provides specifically what we’d expect from a 24MP sensor. Our tests also reveal that the D750 controls noise well: even though the noise reduction is switched off in the processing of RAW files shot at ISO 6400, there is merely just a little chroma noise (colored speckling) obvious at 100%.
Intensify to the native maximum of ISO12,800 and chroma noise becomes more noticeable, nonetheless it is still handled well, and the amount of detail is impressive, even in shadow areas. Simultaneously captured JPEGs haven’t any chroma noise, but there is luminance noise, and images look just a little softer under close inspection.
Although dynamic range and detail levels fall off at the expansion sensitivity settings, the results still look decent. Even images taken at the utmost sensitivity (ISO 51,200) could make acceptable A3 prints.
The D750’s computerized white balance system also does a good job generally in most conditions. The next Auto setting, which is especially intended to wthhold the warm notes of warm lighting, pays to on occasion. However, if you want the warm glow of evening sun to be recorded, the Daylight option is your very best bet. Occasionally, there can be an inexplicable color shift in a sequence of images with all the Automatic White Balance settings. It appears likely that the programmed scene recognition system facet of the processing is responsible.