The Sony a6500 may be the company’s top-tier APS-C mirrorless model, a 24MP stills and video camera with image stabilization. It sits above the similar-seeking a6300 in Sony’s lineup, adding touchscreen ability and stabilization for enthusiasts ready to dig just a little deeper to their pockets.
24MP APS-C CMOS sensor with 425 phase detection points
2.36M-dot OLED EVF
Tilting rear touchscreen
5-axis in-body image stabilization
11 fps constant shooting for 300 JPEGs / 100 Raws
1/4000 sec optimum shutter speed
As ought to be apparent, a lot of its core requirements are distributed to the a good6300 – itself a good DPReview Gold winning surveillance camera. The biggest variations will be the touchscreen, the photo stabilization and a ‘Front side End LSI’ (digesting chip) to permit faster and more technical processing. Additionally, there are a few tiny tweaks, including the addition of a highlight location metering mode.
The touch sensitivity of the trunk screen works extremely well for the selection of a couple of things: as an touchscreen for positioning the focus point or triggering focus and shutter, or as a touchpad, when the camera is held to your eye.
The added processing oomph promises a far more responsive camera: the one which allows immediate image review even though shooting bursts of images. The a6500 as well gains a much-needed revise to Sony’s menu program, adding color-coding to create it better to recognize and bear in mind various areas of the menu.
This change to the menu, and the addition of an instant method of setting AF point immediately address two of our biggest frustrations with the a6300. Nevertheless, Sony is producing no promises about improvements in conditions either of rolling shutter or of documenting longevity. With latest firmware, the a6300 could record 4K video recording for the entire 29:59 length that the surveillance camera allows but this is simply not always conceivable in warm circumstances or if you have just shot an extended clip. Sony only statements ‘about 20 minutes’ of 4K recording for both cams.
The a6500 uses the same form factor as both mid-range a6300 and the entry-level a6000
Despite being positioned drastically further up the marketplace, the a6500 uses the same form point (and dial arrangement) as both mid-spectrum a6300 and the entry-level a6000. Although all three cams possess two control dials, they happen to be arranged in order that both must come to be managed employing the thumb and, for most people, requiring the side to become repositioned when switching in one to the different. Such a limitation can be affordable at the a6000 end of the marketplace but appears an odd suit for a $1400 surveillance camera.
The other similarity with the 6300 that appears even more odd as of this level is Sony’s decision to only offer lossy compressed Raw, limiting their processing latitude.
This table compares the way the a6500 compares with Fujifilm’s fairly similarly-priced X-T2 (essentially the most capable rival with regards to stills and video shooting).
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